PhD content in brief

Internationalization of design research and education centers.
Promotion of international design networks
Valentina Auricchio

Today, small enterprises and artisans are facing a difficult moment in which they are not able to understand how to survive in a evermore competitive and global market. They no longer have contact with final users, which often live in other territories and belong to different cultures, and do not have the tools to connect and innovate at an international level.
Since the early 70’s, designers around the world have been working in this arena with the aim to help artisans reach new markets and learn how to develop autonomous innovative processes. Through transfer of knowledge and support in creating networks, designers have shown unique capabilities that can support internationalization processes of territories worldwide by:
_identifying new markets and interpreting cultures (EXPORT);
_identifying new technologies (CO-PRODUCTION);
_identifying new cultural context (CO-DESIGN).

In this scenario, design research and education institutions have had a fundamental role in engaging new research paths and developing education programs in the fields of design management and strategic design in order to support international competitiveness. The strive for internationalization has pushed design institutions to enlarge their networks, connect with territories and give students and staff the opportunity to widen their view. By doing so, they have become strategic entities for the internationalization of their countries.
In the knowledge based society, education and research institutions have become important actors in supporting the international competitiveness of their territories by developing innovative researches and forming new professional profiles.
Therefore, design research and education institutions have become gateways for companies interested in connecting and competing internationally.

The main aim of the research is to identify projects in which design institutions have supported the internationalization of productive territories in order to stimulate an international debate in this area.
The area of reference of the research is Social Design and it historically refers to those projects in which designers have had an important role in connecting the periphery with the center. Victor Papanek, Gui Bonsiepe and Victor Margolin have been the main design theorist in this area.
The research developed has aimed to collect projects that have been carried out in the past ten years in this field. Projects that have been developed by design centers, institutions, individual designers that demonstrate that design can have a strategic role in social and economical development. These projects are mainly lead by the desire to help artisans and small producers to reach new markets and to build connections with partners worldwide.
The research has been lead through on field research and interviews of actors involved in the debate and in the projects detected. The projects collected have been saved in an “online platform” (blog of the research www.innovstrategy.blogspot.com) which has been the a first interface with the research community.
Fifteen projects selected out of the many projects collected in the blog have been briefly explained through graphs and maps which give a general understanding of the state of the art in this field.

The analysis of the project has been done at different levels:
_geographical map of territories and actors involved;
_chronological map of the projects;
_role of the design actors in the projects;
_results respect to the internationalization of the territories involved;
_aims and objectives of the projects;
_project phases.

The final analysis of the projects aims to give a future view on the trajectories taken by the actors involved, the lessons learnt and the suggestions on how to take forward a debate in this field in order to develop new research and form professionals.
Today, there is a large amount of design centers, institutions and professionals who believe that design can have a strategic role in helping artisans and small companies in building global value chains. This belief has been demonstrated through real projects that show that designers are capable, not only in developing new products and services, but also in building global value chains that allow artisans to access new markets. Through these projects, designers transfer innovation capabilities to communities, enabling them to connect with partners worldwide.
However, this field is still not recognized as a research field in design and there are very few courses which aim to form professionals capable to replicate successful experiences in other contexts. This is also due to the fact that, up to today, design tools applied have not yet been codified.
Although the methods and tools identified in the projects still require confrontation and verification in other contexts, the catalogue of projects collected throughout the research is the first of its kind and the hope is for it to be a starting point for an international debate on design methods and tools applicable in this research area.

CASE STUDIES

The following list of posts are a collection of interesting articles which have been collected during the PhD research. Some of them are Design Centers, others are projects, others are links to websites.
Of these posts, 15 case studies have been picked out to be analysed in depth.

TO ADD PROJECTS OR LINKS PLEASE WRITE TO:
valentina.auricchio[at]polimi.it

Tuesday, 22 November 2011

Design for Social Business Conference


When the Nobel Peace Prize Laureate Muhammad Yunus stated:
“I believe that we can create a world without poverty, because it is not the poor who created poverty”, it sounded like an utopia since he imagined that a world without poverty could be created through business activities.

Our current economic system is mainly responsible for the wealth pyramid, creating billions of people with little or no income. However, using the capitalistic system and business activities carried out by the poorest is subversive and very successful in overcoming poverty when we follow Prof. Yunus, social business concept, which is carried out by e.g. Grameen Bank or Grameen Danone. The concept of social business is simple but convincing. Social businesses are companies that have the objective to overcome poverty or other problems that threaten people in society. The goal of the company is not profit maximization. Investors in social businesses invest their money in business activities without receiving any dividends. Instead the profit of a social business stays within the company and is solely used to reinforce the social goal of the business. Furthermore social businesses pay market wage, and act it environmentally consciously. The Grameen Bank, the mother of social business, has distributed 8,7 Billion US$ in small loans with a 98% loan recovery, taking out no profit and empowering hundred thousands of people to overcome poverty and illiteracy in the second generation.

In social business, design plays a major role if we take Herbert Simonsdefinition of design seriously: “design is revising existing situations into preferred ones”. From this perspective each business creation is a design activity; each generation of new product or service is a design activity. Therefore, the question of design within the context of social business is manifold and interesting. As it seems Prof. Yunus’ main activities regarding design have been focused on the designing aspect of the business activity, which we could call business design, probably because he is an economic expert.
But there has to be more to it, since there is a huge awareness that environmental sustainability needs to be considered as a further important aspect of the design activity. Looking at many of the established products in the top tier of the wealth pyramid, it seems that the way products and services are designed today cannot be the future solution and cannot be sustained. We cannot generate the same carbon footprint for the world inhabitants as we do in the Western economies. We cannot use up the same amount of water resources in the upcoming economies as we still do in the western countries.
Therefore social business that has the goal to overcome poverty must be accompanied with conscious design activities, considering the half life of all products, considering the limited resources of the poorest, considering different lifestyles, considering the education of the consumer and considering the limited resources of this planet.

During the international design for social business designing conference in Milan, up to 60 international experts from various fields, representatives from the Grameen Creative Lab, multinational companies active in social business, IED, and other design schools as well as many international design experts, will be activelydesigning a new design philosophy and design agenda to frame and reframe design for social business. The organizers think and hope that it will be possible to have a clear notion how design, its methodology, its objectives need to change to design for a better world, without poverty, creating sustainable business activities, services and products.

The position papers will focus on different approaches to important issues in this area, representing the pluralism of approaches that are emerging in our different institutions and in professional practice.

Design with the Souths of the World

Monday, 21 November 2011

BAGS For AFRICA



COOPI propone l’asta “BAGS For AFRICA” con l’intento di promuovere una moda solidale.
L'iniziativa prevede il coinvolgimento di grandi maisons e stilisti italiani, tra cui i soci di Camera Nazionale della Moda Italiana, che si impegneranno a mettere all’asta un borsa della loro collezione o creata appositamente per l’occasione. Il ricavato dei pezzi battuti sarà interamente devoluto ai progetti di COOPI “Un futuro per le giovani mamme di Ziguinchor” in Senegal e “D come sviluppo. Il futuro della Sierra Leone è Donna”.

Monday, 12 September 2011

Saturday, 25 June 2011

OPENIDEO

OpenIDEO has partnered with the Holistic Social Business Movement (HSBM) of Caldas – a joint venture between the Grameen Creative Lab and the Government of Caldas, Colombia – to consider how social businesses can improve the health of low-income communities in Colombia and around the world. Together, with your help, we hope to develop a set of implementable and high impact solutions to support and promote social business development and improve health in low-income areas like Caldas, where 26% of the population lives in extreme poverty.

DESIGN FOR THE REAL WORLD


Established and emerging designers are invited to submit innovative and radical examples of ecologically responsible and/or socially responsive designs that address everyday problems or social needs in the spirit of Victor J. Papanek's philosophy.

Saturday, 18 June 2011

Vivienne Westwood's New Ethical Bags Are Now Online



Today, at Pitti Immagine in Florence, Vivienne Westwood launched a new series of bags for herEthical Fashion Africa Project. Handmade by men and women in Nairobi from recycled materials — electrical wiring, tent canvas, aluminum, plastic bags — the accessories are not only environmentally friendly, they're also community-sustaining. "It's not charity, it's work," Westwood says of the project's aim to create jobs in impoverished communities by teaching workers real skills. Ranging in price from $83 to $339, the collection is a colorful melange of chic prints, interesting textures and easy-to-wear shapes. The pieces are available online at yoox.com, with a special video shot by her campaign photographer, Juergen Teller. Click through the slideshow to see our favorites from the collection.

Design as a Development tool - NEW BOOK


A new book by Giulio and Valerio Vinaccia documenting over 20 projects done around the world in the past 15 years.

Tuesday, 19 April 2011

THE IOU PROJECT



Using technology we create mass market potential for an easy-to-wear line of clothing based on the idea that each piece is handmade and completely unique. The uniqueness of each item allows us to provide traceability right down to the weaver that hand-wove the fabric. The stories of how that item was created, of the people involved, of the customers who purchased them, are the essence of the the e-commerce social network which we have built as a meeting place for a community that shares our brand values of authenticity, transparency, uniqueness and both social and environmental responsibility.

Sunday, 30 January 2011


Sono pezzi unici creati da Krizia, Gianfranco Ferre' e altri grandi stilisti. Le borse di "Bags For Africa" vanno all'asta giovedi' 27 gennaio a Milano. Il ricavato sosterra' due importanti progetti di COOPI in Senegal e Sierra Leone.

Thursday, 22 July 2010

Tuesday, 22 June 2010

Full Circle - 3 form



Design has the power to transform more than just space.
It can positively change our planet, our environment, and people’s lives. Welcome to 3form Full Circle- a class of sustainable and impactful products, a program, a creed, and a belief put into action.

DOWNLOAD
http://www.archiportale.com/newsletter/dossier/download/3516_fullcircle.pdf

SOS-Design


Sos Design è nato nell’ottobre del 2001. L’ 11 settembre l’occidente era stato colpito e aveva deciso di aprire un fronte di difesa/offesa in Afghanistan. In segno di autonomia etico/economica Emergency aveva rinunciato alla quota di finanziamenti pubblici che riceveva per le attività mediche sui fronti di guerra. In un articolo a tutta pagina su laRepubblica Gino Strada invitava la società civile ad aiutarli a reintegrare i fondi rifiutati. Noi avevamo da poco fondato una società che si occupava di comunicazione con una forte attenzione al mondo del Design, e ci siamo chiesti cosa si potesse fare per risponde all'appello. E così, di domenica, in quei silenzi carichi di soluzioni, abbiamo progettato Sos Design: il primo format di raccolta fondi espressamente attivo nel mondo Design.

Tuesday, 9 March 2010

EcoChic Milan Exhibition
















The EcoChic Milan Exhibition will take place within Italy's main sustainable trade fair, called 'Fa' la cosa giusta! meaning to 'do the right thing' on 12th-14th March in Milan.
'Fa' la cosa giusta!, which is open to the public, attracted 50,000 visitors in 2009 and the fair has become a benchmark for the exchange of ideas and solutions for sustainable lifestyles amongst consumers, organisations and institutions in Italy.
The EcoChic Milan Exhibition will consist of 18 of the eco-couture garments that were created specifically for 'EcoChic Geneva', which Green2greener co-organised with the United Nations Conference on Trade and Development (UNCTAD) at the Palais des Nations, the United Nations' headquarters in Geneva, in January 2010.

Wednesday, 3 March 2010

Fashion Ethic Day - Milano

Two events in Milano in the past months.

TOMSshoes

One for One



TOMS Shoes was founded on a simple premise: With every pair you purchase, TOMS will give a pair of new shoes to a child in need. One for One. Using the purchasing power of individuals to benefit the greater good is what we're all about. The TOMS One for One business model transforms our customers into benefactors, which allows us to grow a truly sustainable business rather than depending on fundraising for support.

Why shoes?


Many children in developing countries grow up barefoot. Whether at play, doing chores or going to school, these children are at risk:

•A leading cause of disease in developing countries is soil-transmitted diseases, which can penetrate the skin through bare feet. Wearing shoes can help prevent these diseases, and the long-term physical and cognitive harm they cause.

•Wearing shoes also prevents feet from getting cuts and sores. Not only are these injuries painful, they also are dangerous when wounds become infected.

•Many times children can't attend school barefoot because shoes are a required part of their uniform. If they don't have shoes, they don't go to school. If they don't receive an education, they don't have the opportunity to realize their potential.


Friday, 20 November 2009

REFRESH

TUDO A MÃO in ceramics factory 2008 from STRAAT TUDO A MÃO on Vimeo.

REFRESH collection created by designers Lucas Van Vugt, João Parenti and Marcia Gervastok during  straatceramica project and the hanger Cabide STRAAT designed by Takeshi Sumi at straatbambu project can be found at Brazilian TOK&STOK stores.


TUDO A MÃO with bamboo 2008 from STRAAT TUDO A MÃO on Vimeo.

Designer: Takeshi Sumi,Producer: Kotybambu

MAASAI WOMEN ART


MAASAI WOMEN ART
www.maasaiwomenart.net

Tuesday, 10 November 2009


You were impressed by our selection of shawls, cushions and bed linen in the 'Talents à la Carte' showcase at the Maison & Objet Exhibition, September 2009…
 We hope we'll have the pleasure of showing you the full range of our textiles at our private Exhibition & Sale in Paris, 3–5 December, 2009

Sunday, 8 November 2009

WomenWeave


WomenWeave is an organization dedicated to empowering and improving the lives of women who weave in rural India. Its goal is to make handloom a profitable, fulfilling and sustainable income-earning activity for women.

Moving towards this objective, WomenWeave follows a holistic approach towards the weavers it works with. Alongside design, skill-enhancement and marketing interventions, WomenWeave also undertakes health, education and childcare initiatives. Overall, the idea is to have happy, healthy and empowered women who make a constructive contribution to their families and to society.

 WomenWeave is a registered Charitable Trust, supporting the role of women in handloom weaving since 2002.

 Headquartered in Mumbai, it has a field office in Maheshwar, Khargone district of Madhya Pradesh.

Saturday, 26 September 2009

Lulu&Nat


Driven by colour and inspired by India, Mumbai-based Lulu McEvoy and London-based Nat Robinson launched Lulu & Nat, a home and lifestyle range for adults and children.
With experience in textile design and retail, Lulu and Nat have created a modern, vibrant collection with an exotic Indian edge. Handcrafted and made in India using traditional techniques, each piece is completely unique and nothing is mass-produced. The result is a beautiful selection of hand-printed bedlinen, embroidered wall hangings and embellished cushions - all in Lulu & Nat's signature Anglo-Indian style.
Since it was set up in 2008, Lulu & Nat's client list has grown and now includes prestigious London stores such as Designers Guild, SCP, the Cross and Liberty, as well as designer childrenswear shop Bonton in Paris
.

Monday, 7 September 2009

EL CAMINO




Association of French designers created by Véronique Tesseraud works alongside the weavers of Chiapas to produce 
collections that respect Indian traditions and the new rules of fair trade.
Véronique Tesseraud founded the El Camino association in 1996 to support weavers in Chiapas. New collections have been developed, with the help of volunteer French designers. These ranges weave contemporary aspirations and inspirations from Maya’s textile heritage. Long research work has been carried out to recreate the tones of ancient vegetal stains, providing harmonious hybridisation between tradition and modernity. Distributed in France and Mexico according to fair trade principles, this production allows more than 150 women to have worthy living conditions through the use of their ancestral knowledge.
El CAMINO: el.camino.france(at)gmail.com

Wednesday, 17 June 2009

Friday, 12 June 2009

Wednesday, 10 June 2009

OUMA

Ouma Productions s'inspire de la rue indienne.
Le 'charpoy', qui signifie littéralement '4 pieds' est un lit fabriqué à partir d'un cadre de bois sur lequel sont tendues des cordes ou sangles tressées, c'est une pièce essentielle du mobilier indien. On y dort mais aussi on y médite, on y mange, on vit dessus seul ou à 3 ou 4, on le traîne dedans ou dehors et grâce à son tressage ajouré l'air circule entre les cordes ce qui en fait un lit climatisé pour l'été. 
On le trouve dans l'histoire de chaque Indien.

Wednesday, 27 May 2009

ROYAH



The project on ethical design from Afghanistan brings together Art & Development for women, whilst also presenting to the western world the richness of other cultures. Royah, the ‘vision’ in Dari, was set up in Kabul in 2005 by a handful of women who wanted to make a difference. Drawing on Afghanistan’s rich cultural history, we create contemporary fashion using Afghan textiles and Italian expertise.

MADE-IN-NO



Made in No
 nasce tra Novara e il mondo, per creare ponti di collaborazione e solidarietà tra territori lontani, per mettere in collegamento filiere sostenibili e mercati locali, dimostrando che un'economia a misura di pianeta è possibile. Dal cotone ecologico ed equosolidale di Justa Trama, una rete brasiliana di organizzazioni di base equosolidali, è possibile creare prodotti sostenibili, come la linea di intimo Made-in-No, nata dalla creatività e dall'impegno dei piccoli artigiani del tessile novarese e dal sostegno dei consumatori organizzati e delle Botteghe del Mondo.

Wednesday, 29 April 2009

Six for Rwanda



The Fondazione Claudio Buziol is organising the selection of six participants for the first "Course on Artisan Methods of Working With Vegetable Fibres", organised by Gaddo Morpurgo, associate professor at Iuav University in Venice. The workshop will take place from 5-19 September 2009 in Kanombe - Kigali, Rwanda at the “San Marco” Centre d’Accueil e de formation, with the participation of the San Marino Cassa di Risparmio Foundation – SUMS and Soroptimist. There are six place for graduates or undergraduates in design disciplines who, at the time of selection, are no more than 30 years old. Selection will take place in Venice at the headquarters of the Claudio Buziol Foundation in July 2009.

Download here the competition rules
http://www.fondazioneclaudiobuziol.org/docs/Bandi/Bando_Atelier_Rwanda_eng.pdf

Monday, 9 March 2009

Atelier RWANDA




"The first laboratory, atelier RWANDA, “Laboratoire de recherche et de projets d’innovation de design en Afrique” was constituted at the Centre d’accueil et de formation “San Marco” a Kanombe (Kigali) Rwanda, in collaboration with the two Soroptimist club of Kigali (SI-Kigali and SI-Kigali Etolie) and the Soroptimist club of San Marino.
The atelier RWANDA focuses on the transfer of effective technology and design, for a valorization of natural materials that are available in the various regions of Africa."

TO READ MORE:
http://portal.unesco.org/es/files/43243/12210408719Biennale_Dossier_Eng.pdf/Biennale%2BDossier%2BEng.pdf

South Out There




"There is a need out there to invert the logic of the world of Design that essentially focuses on only 10% of the world’s population, without considering the other 90%: 5 billion 800 million people who have no access to that which we consider normal: a house, clean water, and food.
With the results of the international conference Design, beyond the borders of development, organised in September of 2007 at the University of San Marino’s department of Industrial Design, on the occasion of the first San Marino Design week, an exhibit was presented showing a selection of recently developed design projects that give concrete solutions to problems of various areas in the world’s Southern Hemisphere."

TO READ MORE: 
http://www.iuav.it/Ateneo-cal/2008/09/South-Out-There-depliant.pdf 

Sunday, 8 February 2009

toronto + botucatu Project 2008/2009

STRAAT
Canadian designer - Cristina Covello- and a wood worker in Botucatu city- Zeca Godinho- and together they developed furniture for outdoors using peroba rosa wood recovered from old barns, railway leftovers, etc...


toronto + botucatu Project 2008/2009 from StraaT on Vimeo.

Tuesday, 30 September 2008

Wednesday, 17 September 2008

nanimarquina



nanimarquina collaborates with Care & Fair and guarantees that no child labour is employed in the production of its rugs.Care & Fair is an organisation that was created in 1995 with the objective of eradicating child labour in the weaving of rugs in countries such as India, Pakistan and Nepal. Its philosophy is based on the belief that this objective is reachable with the adequate help, basically involving two important areas: education and health.
A brand has many faces and each product always tries to give a synthesis of all of them: of who thinks up the product, of who makes it, who looks after it and all those who enjoy it. When This, together with the ongoing and consistent work of research and creation, is what makes a personal project a snapshot of its time. Our immediate context speaks to us of East and West, of a return to our roots, of new uses and concepts and, above all, it speaks to us of the commitment to integrate new voices into our reality. All these voices tell us about a world that begins and ends with sensations.

Recycled Saris - Altromercato


Collaboration project between Sasha (India) and Altromercato (Italy) promoting new products produced in India with recycled saris for the Italian market.

EquoLab


In the Sana Fair in Bologna there is a space designed by Lucy Salamanca (Salamanca Design & Co.) in which a selection of International Design Collaborations is shown. This exhibition is open from 11th to 14th of September 2008 in Bologna Fair (Italy).
During the Fair their was also a confrontation on the theme of SOCIAL DESIGN and the implications of design projects.

Friday, 12 September 2008

D+A GTO

STRAAT - changing office


StraaT office was moved from Augusta street in Sao Paulo capital to the countryside of Botucatu- Demetria a rural neighbourhood , also in Spaulo state.

Saturday, 21 June 2008

Project H Design



Product design initiatives for Humanity, Habitats, Health, and Happiness.
Project H Design is a charitable organization that supports, inspires, and delivers life-improving humanitarian product design solutions. We champion industrial design as a tool to address social issues, a vehicle for global life improvement, and a catalyst for individual and community empowerment.
Project H Design encourages the reorientation of the design industry towards a more socially-impactful and humanitarian entity through a variety of Initiatives including Fund this Product and our Project H studio classes at design universities.
Project H Design is a tax-exempt 501c3 nonprofit organization. All donations made after January 8, 2008 are tax-deductible.

Project H: Design for Education- June 2 - August 2Project H studio sessions are an educational arena in which to work with students, designers, and other collaborators on design projects which address social issues. Our first program this summer will be Design for Education, and will look at ways in which product designers can produce educational products that improve elementary education on a global scale. The studio sessions will encourage the design community and design academics to use design skills to solve real problems and serve individuals and communities. Design for Education, Summer 2008 will forge collaborations between unlikely partners- teachers, designers, students, the public, global citizens, etc.The Design for Education studio, held at the California College of Arts, will serve as a pilot curriculum to be rolled out additional design schools, addressing different social issues (Design for Health, Homelessness, Water) within each program.

MATERDESIGN



Founded in 2006, mater is a copenhagen-based company with a strong vision to create timeless and beautiful design based on an ethical business strategy. mater combines exclusive high end home accessories with working methods that support people, local craft traditions and the environment.


http://www.materdesign.com/downloads/pdf/mater_catalogue_20080617.pdf

Friday, 20 June 2008

GLOCAL SHOPPER




Design Forum Finland's summer exhibition Glocal Shopper launches a discussion on the responsibility of design. Its themes are ethical purchasing and consumption, local production, and domestic materials. The leading role is given to local design and small craft and design companies, which often lead the way in ecological issues. The choice of examples emphasizes products that conserve nature and solutions of ecological insight that are based on recycling, saving energy and durability.Glocal Shopper seeks also to encourage consumers to make choices that are more environmentally friendly and to be aware of the importance of the life-span of products. The client, designer, manufacturer and end-user are all ultimately responsible for the environmental impact of a product. "Consumers ultimately decide what products are made and how. Everyone's personal purchasing decisions have impact, even though you might not always believe it," says ceramist Jatta Lavi. The exhibition features an important group of Finnish designers and companies whose design products represent sustainable development and life-span thinking: Amer Sports Suomi, Artek, Doctor Design, Susan Elo, Evolum, Fiskars Brands, Iittala Group, Helkama Velox, Huhtadesign, Isku Koti, J.S. Team, Karttuuni, Kiks, Kotonadesign, Jouko Kärkkäinen, Jatta Lavi, Marimekko, Nikari, Nounou Design, original habitek works*, Plastex, Seija Ranttila, Saas Instrumentti, Markku Salo, Secto Design, Showroom Finland, Sokeva, Jussi Sutela, Janna Syvänoja, Anri Tenhunen, Tunto Design, Jaana Tuomisto, Twin-Shop, Tiia Vanhatapio, Verso Design, Woodnotes, Valvomo and artisans of the Fiskars Cooperative.The sale exhibition includes furniture, lamps, small items for the home, jewellery and clothing made from recycled material, and a collection of products for children.

BIBLIOGRAPHY

  • AA.VV. ICE – Istituto per il Commercio Estero (a cura di), L’Italia nell’economia internazionale, Roma, 2002
  • AA.VV. Resistenza della critica, il Verri, monogramma, n.1, dicembre 1996
  • AA.VV. United Nations Conference on Trade and Development, Programme on Transnational Corporations, Small and medium-sized transnational corporations, United Nations, New York, 1993
  • AA.VV. United Nations Conference on Trade and Development, Programme on Transnational Corporations, The handbook on foreign direct investment by small and medium-sized enterprises: lessons from Asia, United Nations, New York, 1998
  • AA.VV. United Nations Industrial Development Organization (UNIDO) Industrial Development Report 2002/2003: Competing through Innovation and Learning. Vienna: UNIDO, 2002
  • AA.VV. “Designers Meet Artisans. A practical Guide”, Craft Revival Trust, Grass Root Publications, New Delhi, India, 2006
  • AA.VV. “I tre mondi del geo-design: sette opinioni a confronto”, pp.18-121, DOMUS, n° 891, Aprile 2006
  • AA.VV. “Le piccole e medie imprese nell’economia italiana: il ruolo dell’imprenditoria minore. Una analisi in prospettiva”, Rapporto 2004, UNIONCAMERE, FrancoAngeli, Milano, 2005
  • AA.VV., BERGAMO NELLE CATENE DEL VALORE GLOBALI: UN’ INDAGINE QUANTITATIVA SPERIMENTALE in “RAPPORTO SULL’ECONOMIA BERGAMASCA NEL 2006” PROMOSSO DALLA CAMERA DI COMMERCIO INDUSTRIA ARTIGIANATO E AGRICOLTURA DI BERGAMO E DALLA PROVINCIA DI BERGAMO, 2006
  • AA.VV., Sistema Design Milano, Abitare Se gesta, Milano, 1999
  • AA.VV., “La specializzazione internazionale dell’Italia: anomalie, dinamiche e persistenza” in Confindustria, Rapporto sull’Industria italiana, luglio 2000
  • AA.VV., “The 2003 REPORT on Competence development in SMEs, developed by the Observatory of European SMEs, 2006
  • Aldersey-Williams, H. (ed), “The Methods LAB: User research for design”, Design for Aging Network (DAN), for the Presence conference, 1999
  • Arquilla, V. (a cura di), “Design e imprese artigiane: un modello per l’innovazione”, Milano, Ed. Poli.Design, 2006
  • Balaram S, Thinking Design, National Institute of Design, Ahmedabad, 1998
  • Balcet, G. - Momigliano, F. Nuove tendenze nei processi di internazionalizzazione: recenti sviluppi del dibattito sulla differenziazione dei modelli di comportamento delle imprese multinazionali e su vecchie e "nuove forme" di coinvolgimento estero delle imprese. Internazionalizzazione dell'industria: nuove forme e problemi aperti. Milano: F. Angeli, 1984
  • Bartlett, Christopher A., Ghoshal, Sumanyra, Management globale. La soluzione transnazionale per la direzione d’impresa, Milano, Etas, 2001, trad. Angela Brunello (tit. orig Managing across Borders: The Transnational Solution, Boston, Harvard Business School Press, 1989)
  • Bauman Z., Globalization. The Human Consequences, Columbia University Press, New York, 1998
  • Bauman Zygmunt, Modernità liquida, trad. Sergio Minucci, Laterza, Bari, 2005 (ed. Orig. Liquid Modernity, Polity Press, Cambridge e Blackwell Publishers, Oxford, 2000)
  • Becattini Giacomo, Dal distretto industriale allo sviluppo locale. Svolgimento e difesa di un’ides, Bollati Boringhieri, Torino, 2000
  • Becattini Giacomo, Distretti industriali e made in Italy. Le basi socio-culturali del nostro sviluppo economico, Bollati Boringhieri, Torino, 1998
  • Beck, Ulrich, La società cosmopolita. Prospettive dell’epoca postnazionale, (trad. Carlo Sandrelli), il Mulino, Bologna 2003
  • Bello de Aranaga, Paula, D “GOODSCAPES: MAPPING DESIGN”, paper presented at the conference COINCIDENCE & CO-INCIDENCE - 4th International Conference on Design History and Design Studies | Guadalajara, México, 2004.
  • Beraldi, Pietro, Legge della Ragione ed Esperienza Umana. Peirce, James, Dewey, Edizioni dal Sud, Bari, 2005
  • Bernard, A., J. Eaton, J. Jensen e S. Kortun “Plants Productivity in International Trade” Dartmouth College wp 00-05, aprile 2000
  • Best Kathryn, “Design Management: Managening Design Strategy, Process and Implementation”, AVA Publishing SA, Lausanne, 2006
  • Bettiol, Marco e Micelli, Stefano (ed.), Design e creatività nel made in Italy. Proposte per I distretti industriali, Mondadori, Milano, 2005
  • Bonsiepe G., Paesi in via di sviluppo: la coscienza del design e la condizione periferica in Storia del Disegno industriale 1919-1990, il dominio del design, Electra, Milano, 1991, pp. 252-269
  • Bonsiepe Gui, “Peripheral Vision”, Escola Superior de Desenho Industrial (ESDI) Brazil, 2004
  • Borja de Mozota, B., “Design Management – using design to build brand value and corporale innovation”, Allworth Press, New York, 2003
  • Brenda, L., “Design Research: Methods and perspectives”, MIT Press, 2003
  • Brickwood Cathy, Ferran Bronac, Garcia David, Putham Tim (ed.), (Un)Common Grounds. Creative Encounters across Sectors and Disiplines, Bis Publishers, Amsterdam, 2007
  • Bruce, M., Bessant, J.R., “Design in business: strategic innovation through design”, Financial times, 2002
  • Brunetti, G., Rullani, E. (a cura di), “Change: Il paese, l’impresa, le persone”, Egea, Milano, 2006
  • Capelli, R., “Limpresa Italiana alla svolta: strategie di crescita per sedurre il capitale globale e non esserne travolti”, IlSole24Ore, 2004
  • Caroli, M., Lipparini, A., “Piccole imprese oltre confine: Competenze e processi di internazionalizzazione”, Carocci, Roma, 2002
  • Cautela, C., “Strumenti di design management”, Franco Angeli, Milano, 2007
  • Chambers, R., “Rural Development: putting the last first”, Longman, New York, 1983
  • Chapman Jonathan, Gant Nick, Designers (ed.), Visionaries + other stories. A collection of sustainable design essays, Earthscan, London, 2007
  • Cleland, D., Lewis, R., “Project management: strategic design and implementation”, McGraw Hill, 2002
  • Collina Luisa, Simonelli Giuliano “Design for the development of productive systems, local conditions and identities”, in Designing Designers 2002, POLI.design, Milano, March 2003
  • Collina Luisa, “Design e Metaprogetto: Teorie, Strumenti, Pratiche”, Ed. POLI.Design, Milano, 2005
  • Corbellini, E., Saviolo, S., “La scommessa del Made in Italy e il futuro della moda italiana”, Etas, Milano, 2004
  • Corò Giancarlo, Rullani Enzo, Percorsi locali di internazionalizzazione, Franco Angeli, Milano, 1998
  • Corò, G., “Processi produttivi, stato sociale, modelli di sviluppo”, Ediesse, Roma, 2001
  • Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken’ichi, (edited by), Global Culture. Media, Arts, Policy, and Globalisation. New York, Routledge, 2002
  • De Benedictis, L. e M. Tamberi “Il modello di specializzazione italiano: normalità e asimmetria” in Marco Cucculelli e Riccardo Mazzoni (ed.), Risorse e competitività, ed. Franco Angeli, 2003
  • De Vos, Birgitta (ed.), At Home, Design Academy Eindhoven, Eindhoven, 2005
  • Dewey, John, Arte come esperienza, Aesthetica edizioni, Palermo, 2007, (tit. Orig. Art as Experience, 1934)
  • Dreyfuss, H., Powell, E., “Designing for people”, Allworth press, 2003
  • Eames Charles and Ray, “The India Report”, National Institute of Design, Paldi Ahmedabad, 1958
  • Eichengreen B., “Global Imbalances and the Lessons of Bretton Woods”, The MIT Press, Cambridge, Massachusetts 2007
  • Gandolfo, G., “Elementi di economia internazionale”, Utet, Milano, 2006
  • Gereffi, G., Humphrey, J., Sturgeon, T., “The governance of global value chains” in the Review of International Political Economy p. 78–104, February 2005
  • Gereffi, Gary, and Olga Memodovic “The Global Apparel Value Chain: What Prospects for Upgrading by Developing Countries?” Vienna: UNIDO, Strategic Research and Economy Branch, 2003
  • Gereffi, Gary, David Spener, and Jennifer Bair, eds., Free Trade and Uneven Development: The North American Apparel Industry after NAFTA, Philadelphia: Temple University Press, 2002
  • Gorb, P., “Design Management”, Phaidon Press Inc., 1994
  • Grandinetti, R., Rullani, E., “Impresa transnazionale ed economia globale”, La Nuova Scientifica, Roma, 1996
  • Helpman, E. “Trade, FDI, and the Organization of Firms” NBER Working Paper n. 12091, 2006
  • Helpman, E., M.J. Melitz e S. Yeaple “Export versus FDI with Heterogeneous Firms” in American Economic Review, 2004, vol. 94 pp.300-316
  • Herzfeld, Michael, Intimità culturale. Antropologia e nazionalismo, trad. Emanuela Nicolcencov, L’ancora, Napoli, 2003 (ed. Orig. Cultural intimacy. Social poetics in the nation-state, Routledge, New York, 1997)
  • Izzo Francesco, Processo di internazionalizzazione delle imprese ad alta intensità di servizio, Cedam, Padova, 2000
  • Jones, C., “Design Methods: seeds of human future”, John Wiley and Sons, 1982
  • Kao, J., “The new Business Design”, Allworth Press, 1996
  • Kasturi Poonam Bir, Designing Freedom, Design Issues, Autumn 2005, Vol. 21, No. 4, Pages 68-77
  • Kelley, T., “The art of innovation: lessons in creativity from IDEO”, Currency, 2001
  • Kopytoff, I., ‘The Cultural Biography of Things: Commoditization as a Process’, in A. Appadurai (ed.) The Social Life of Things: Commodities in a Cultural Perspective, pp. 64–91. Cambridge: Cambridge University Press., 1986
  • Krugman, P. R., “Economia internazionale”, terza edizione, Hoepli, Milano, 2003
  • Kuniavsky, M., “Observing the User Experience: a practictioner’s guide to user research”, Kauffmann, 2003
  • Laurel B., “Design Research. Methods and Perspectives”, The MIT Press, Cambridge Mass., 2003
  • Makela Maarit, Routarinne Sara (ed.), The art of research. Research practices in Art and Design, University of Art and Design Helsinki, Helsinki, 2006
  • Maldonado Tomàs, La speranza progettuale, ambiente e società, Torino, Einaudi, 1970
  • Manzini E., A cosmopolitan localism. Prospects for a sustainable local development and the possible role of design, 2005
  • Manzini E., Design As A Tool For Environmental And Social Sustainability, in Design Issues In Europe Today, The Bureau of European Design Associations - BEDA White Book, ed. By Stuart Macdonald, The Publishers, NL, 2004
  • Margolin, Victor and Sylvia Margolin, "A 'Social Model' of Design: Issues of Practice and Research," Design Issues Vol. 18, No. 4: 24-30., 2002,
  • Margolin, Victor, "The Product Milieu and Social Action," in Discovering Design: Explorations in Design Studies, edited by Richard Buchanan and Victor Margolin, pp. 121-145, Chicago: University of Chicago Press., 1995
  • Mariotti S., Mutinelli M. (2003a), La crescita internazionale per le PMI, Il Sole 24 Ore, Milano
  • Mazzola, F., Maggiori, M.A., (a cura di), “Crescita Regionale ed urbana nel mercato globale: modelli, politiche, processi di valutazione”, n° 32 della Collana dell’Associazione italiana di scienze regionali, Franco Angeli, Milano, 2001
  • Melitz, M.J. e G. Ottaviano “Market size, Trade, Productivity” NBER Working Paper 11393, giugno 2005.
  • Melitz, M.J. “The Impact of Trade on Intra-Industry Reallocations and Aggregate Industry Productivity” in Econometrica, 2003, vol. 71, pag. 1695.
  • Meurs, Paul, Brazil>Holland. A design match, Design Academy Eindhoven, Eindhoven, 2002
  • Miettinen, Satu (ed.), Design your action. Social design in practice, University of Art and Design Helsinki, Helsinki, 2007
  • Montani, K., Stefania (ed.), Artigiani a Milano, Touring Club Italiano, Milano, 2006
  • Norman, D., “Emotional Design”, Apogeo, 2004
  • Oakley, M. (ed), “DESIGN MANAGEMENT: a handbook of issues and methods”, Basil Blackwell, 1990
  • Onida, F., “L'internazionalizzazione dell'industria : nuove forme e problemi aperti” F. Angeli, Milano 1984
  • Ottaviano, G., M. Del Gatto e M. Pagnini “Openess to Trade and Productivity Dispersion: Evidence from a Panel of Italian Firms” presentato all’ International Conference on the Empirical Methods for the Study of Economic Agglomerations a Kyoto nel luglio 2006.
  • Papanek V., Design for the real world, Thames and Hodson, London, 1972
  • Papanek Victor, The green imperative: ecology and ethics in design and architecture, London, Thames and Hudson, 1995
  • Penin Lara, Strategic Design for sustainable social innovation in emerging contexts: framework and operative strategies, dissertazione di Dottorato di Ricerca in Disegno Industriale, XVIII ciclo, Politecnico di Milano, 2006
  • Philips, P., “Creating the perfect design brief: how to manage design for strategic advantage”, Allworth Press, 2004
  • Prahalad C.K., Stuart L. Hart , “The Fortune at the Bottom of the Pyramid”, Strategy & Business, no.26, 2002
  • Prahalad C.K., The Fortune At The Bottom Of The Pyramid. Eradicating Poverty Though Profits Enabling Dignity and Choice Through Markets, Wharton School Publishing/Pearson, 2004
  • Raimondi, M., “Marketing del prodotto-servizio”, Hoepli, 2005
  • Raulik, G. 2004. Models of Design Intervention. In: FutureGround - Design Research Society - International Conference, 17-21 Nov 2004 Melbourne
  • Raulik, G., Larsen, P., Cawood, G. 2006. Design Support and the transfer of knowledge to SMEs. In: Wonderground - Design Research Society - International Conference, 1-4 Nov 2006 Lisbon.
  • Rifkin Jeramy, L’era dell’accesso. La rivoluzione della new economy, Mondadori, Milano, 2000
  • Rullani, E., “Economia della Conoscenza: Creatività e valore nel capitalismo delle reti”, Crocci, Roma, 2004
  • Schon, Donald Alan, Formare il professionista riflessivo. Per una nuova prospettiva della formazione e dell’apprendimento nelle professioni, Milano, Franco Angeli, 2006 (trad. Davide Capperucci, tit. orig. Educatine the reflectine practitioner. Toward a new design for teaching and learning in the professione, Jossy Bass, San Francisco, 1987)
  • Schon, Donald Alan, Il professionista riflessivo. Per una nuova epistemologia della pratica professionale, Bari, edizioni Dedalo, 1993, trad. Angela Barbanente (tit. orig. The Reflexive practitioner, New York, Basic Books, 1983)
  • Schumacher E.F., Small is beautiful, Blond&Briggs, London, 1973
  • Sen A. K., “Development as freedom”, Anchor Books/Doubleday, 2000
  • Sen A. K., “La disuguaglianza: un riesame critico”, ed. originale Inequity Reexamined, il Mulino, 1992
  • Sen A. K., “La ricchezza della ragione: denaro, valori, identità”, il Mulino, 1991
  • Sen A. K., “On Ethics and Economics”, Blackwell Publishers, 1989
  • Simonelli G., Collina L., Generating Tools: Fighting Barriers To Innovation, in Design Issues In Europe Today, The Bureau of European Design Associations - BEDA White Book, ed. By Stuart Macdonald, The Publishers, NL, 2004
  • Simonelli G., Zurlo F., Cagliano R., Verganti R., Innovare con il design, Il Sole 24 Ore, Milano, Italy, 2002
  • Simonelli G., Zurlo F., “Me.design Research. Exploiting resources in the Mediterranean area: what is the role of design?”, in G. Simonelli and L. Collina (edited by), Designing Designers: Design for a local global world, Edizioni Polidesign, Milano, 2003
  • Simonelli Giuliano, Auricchio Valentina, “STIMULI FOR CHANGE: Projects for building territorial design systems, Methodology and Case Histories, DETM2005 conference, INDIA, 2005
  • Simonelli Giuliano, Bertola Paola, Sangiorgi Daniela, Milano distretto del design, un sistema di luoghi, attori e relazioni al servizio dell’innovazione, Il Sole 24Ore, Milano, 2002
  • Simonelli Giuliano, Celaschi Flaviano, Collina Luisa, Design for District. Progetti per un distretto. MILANO: POLIdesign Editore, 2001
  • Simonelli Giuliano, Maffei Stefano, I territori del design, made in Italy e sistemi produttivi locali, Il Sole 24Ore, Milano, 2002
  • Simonelli Giuliano, Zurlo Francesco, Auricchio Valentina “Global Community Interactions: The Future Role Of Design In International Territorial Competition/Cooperation”, MX Design Conference, MEXICO, 2005
  • Tattara, G. (a cura di), “Il piccolo che nasce dal grande: le molteplici facce dei distretti industriali veneti”, Franco Angeli, Milano, 2001
  • Vaccà, S. L'impresa transnazionale tra passato e futuro. Milano: F. Angeli, 1995
  • Van Onck, Andries, Takeda, Hiroko, Avventure e disavventure di design, Firenze, Alinea editrice, 2005
  • Verganti R., “Radical design-driven innovation: the secret of Italian design”, Design Management Jornal, 2003
  • Verwijnen Jan, Karkku Hanna (eds.), Spark! Design and Locality, University of Art and Design Helsinki, Helsinki, 2004
  • Viesti G., Come nascono i distretti industriali, Editori Laterza, Roma, 2000
  • Villari B., “Il Design per lo sviluppo locale. attività e strumenti del design per valorizzare il capitale territoriale”, dissertazione di Dottorato, XVII ciclo, Politecnico di Milano, 2005
  • Visocky O’Grady Jenn + Ken, A designer’s research manual. Succeed in Design by knowing your cliente and what they really need, Rockport publishers, Glouchester, Massachusetts, 2006
  • Whiteley Nigel, Design for Society, Reaktion Books, London, 1993
  • Zurlo F. and Maffei S., “Designing in a situated domain. Design competence as the result of context-specific sociotechnical relationships. The Sistema Design Italia case”, paper presented at the conference “Doctoral Education in Design”, Design Research Society and Norwegian School of Management, La Clusaz, France, 8-12 July 2000
  • Zurlo F. “Un modello di lettura per il Design Strategico. La relazione tra Design e strategia nell’impresa contemporanea”, dissertazione di Dottorato di Ricerca in Disegno Industriale, XI ciclo, Politecnico di Milano, 1999
  • Zurlo Francesco, Simonelli Giuliano “La ricerca Me.design. Valorizzare le risorse dell’area del mediterraneo: quale ruolo per il design?”, in Designing Designers 2004, POLI.design, Milano, March 2004
  • Zurlo Francesco, “Design Capabilities per le istituzioni socialmente capaci”, in “Medesign_forme del Mediterraneo”, Alinea Editrice, Firenze, 2004