PhD content in brief

Internationalization of design research and education centers.
Promotion of international design networks
Valentina Auricchio

Today, small enterprises and artisans are facing a difficult moment in which they are not able to understand how to survive in a evermore competitive and global market. They no longer have contact with final users, which often live in other territories and belong to different cultures, and do not have the tools to connect and innovate at an international level.
Since the early 70’s, designers around the world have been working in this arena with the aim to help artisans reach new markets and learn how to develop autonomous innovative processes. Through transfer of knowledge and support in creating networks, designers have shown unique capabilities that can support internationalization processes of territories worldwide by:
_identifying new markets and interpreting cultures (EXPORT);
_identifying new technologies (CO-PRODUCTION);
_identifying new cultural context (CO-DESIGN).

In this scenario, design research and education institutions have had a fundamental role in engaging new research paths and developing education programs in the fields of design management and strategic design in order to support international competitiveness. The strive for internationalization has pushed design institutions to enlarge their networks, connect with territories and give students and staff the opportunity to widen their view. By doing so, they have become strategic entities for the internationalization of their countries.
In the knowledge based society, education and research institutions have become important actors in supporting the international competitiveness of their territories by developing innovative researches and forming new professional profiles.
Therefore, design research and education institutions have become gateways for companies interested in connecting and competing internationally.

The main aim of the research is to identify projects in which design institutions have supported the internationalization of productive territories in order to stimulate an international debate in this area.
The area of reference of the research is Social Design and it historically refers to those projects in which designers have had an important role in connecting the periphery with the center. Victor Papanek, Gui Bonsiepe and Victor Margolin have been the main design theorist in this area.
The research developed has aimed to collect projects that have been carried out in the past ten years in this field. Projects that have been developed by design centers, institutions, individual designers that demonstrate that design can have a strategic role in social and economical development. These projects are mainly lead by the desire to help artisans and small producers to reach new markets and to build connections with partners worldwide.
The research has been lead through on field research and interviews of actors involved in the debate and in the projects detected. The projects collected have been saved in an “online platform” (blog of the research www.innovstrategy.blogspot.com) which has been the a first interface with the research community.
Fifteen projects selected out of the many projects collected in the blog have been briefly explained through graphs and maps which give a general understanding of the state of the art in this field.

The analysis of the project has been done at different levels:
_geographical map of territories and actors involved;
_chronological map of the projects;
_role of the design actors in the projects;
_results respect to the internationalization of the territories involved;
_aims and objectives of the projects;
_project phases.

The final analysis of the projects aims to give a future view on the trajectories taken by the actors involved, the lessons learnt and the suggestions on how to take forward a debate in this field in order to develop new research and form professionals.
Today, there is a large amount of design centers, institutions and professionals who believe that design can have a strategic role in helping artisans and small companies in building global value chains. This belief has been demonstrated through real projects that show that designers are capable, not only in developing new products and services, but also in building global value chains that allow artisans to access new markets. Through these projects, designers transfer innovation capabilities to communities, enabling them to connect with partners worldwide.
However, this field is still not recognized as a research field in design and there are very few courses which aim to form professionals capable to replicate successful experiences in other contexts. This is also due to the fact that, up to today, design tools applied have not yet been codified.
Although the methods and tools identified in the projects still require confrontation and verification in other contexts, the catalogue of projects collected throughout the research is the first of its kind and the hope is for it to be a starting point for an international debate on design methods and tools applicable in this research area.

CASE STUDIES

The following list of posts are a collection of interesting articles which have been collected during the PhD research. Some of them are Design Centers, others are projects, others are links to websites.
Of these posts, 15 case studies have been picked out to be analysed in depth.

TO ADD PROJECTS OR LINKS PLEASE WRITE TO:
valentina.auricchio[at]polimi.it

Monday, 12 May 2008

Siwa Creations project




Siwan embroidery has made its way into the select world of Italian haute couture. Italian fashion designers have discovered the intricate beauty of Siwan embroidery. Its exquisite dainty stitch and its floral patterns have brought a refreshing look to traditional garments such as the ubiquitous jean trousers or a simple white cotton dress.
Siwa has a lot to offer because two people, Mounir Neamatalla and his sister Laila have been instrumental in launching Siwa on the global market. Mounir Neamatalla unsurprisingly has just been named one of the most enterprising people in Egypt.
Neamatalla has begun to collaborate with international designer labels by liaising with the seamstresses and embroiderers she employs in the Siwa Oasis on the western edge of the Egyptian desert.Most recently, the Siwan women stitched traditional motifs into couture garments and accessories for the Italian atelier Ermanno Scervino. Maverick marketing is yet another method that entrepreneurs are using.In 1996 when giant international fashion brands were still dithering about the role of the Internet in their retail operations, the Senegalese fashion designer Oumou Sy was opening an e- commerce site to sell accessories abroad.One of Africa's most well- known fashion designers, Sy had made private clients in Europe after she appeared in several high-profile exhibitions there. Such self-made artisans and designers isolated from any organized fashion industry are often those first out of the starting blocks.Capitalizing on handicrafts, cottage industries and traditional techniques, they experiment with product development, negotiate microfinancing and find clever partnerships.

Wednesday, 30 April 2008

SALAMANCA DESIGN

Salamanca design & Co is a strategic design firm born in 1991 by Lucy Salamanca, Designer of Colombia, Bogotà and who studied in 1985 in the Istituto Europeo di Design di Milano. Fair Trade is one of the sectors in which they work.

Monday, 28 April 2008

Sustaining local communities through design



This is a blog of a young designer who has been 6 weeks in Brazil for the STRAAT project.
He writes:
"I will be working with small craft communities on creating a line of products to be sold in the local design markets. These groups specialize in bamboo, but are currently not able to support themselves with the products they make. Some of the groups also have outreach programs for various citizens and teach them how to craft bamboo. My goal will be to design, prototype, and ultimately try to commercialize products so that these communities will bea ble to sustain themselves. I got involved by inquiring around about how I could use my thesis time (where the students get to choose the projects) to really do something that could actually make a difference. I have seen a lot of projects that have the goal of helping people, and are made for situation, but are never made and I wanted to get really hands on. But anyways, I ended up getting connected to this program:
http://www.straat.com.br/
which works specifically with groups in brazil. Everyone involved was incredibly enthusiastic about making this work, which really helped, as I had about a week and a half to really scramble to make this happen, including working with my teachers, the school, finding flights, and making an emmergency trip to Chicago to secure a Visa in time to leave. But everything is in action now, and I currently await my flight to Sao Paulo. I am really excited, and a bit nervous, but I think this is going to be a great and formative experience on my career in design."

Saturday, 26 April 2008

MADE IN CHINA




Made in China
Will be presented at the Saloneinternationale del Mobile di MilanoApril 16th till 22nd
Material: porcelain with three different hand crafted designsDimensions:Label: Designstudio Carola ZeeLimited editionYear: 2007

Made in China (November 2007)is Carola’s latest collection and was realized in Jingdezhen China. The collection is presented with a book publication, which tells the storyof the people behind the production and shows the way they work. The vases are the end result of this collaboration and show the different techniques typical for this region of China.
Even with the big economical and industrial changes in China at the moment a lot of products here are still produced manually. These products are able to compete with the low prices of machine-produced products because of the low wages the Chinese craftsmen get paid. By creating this collection Carola wants to make consumers aware of the fact that most Chinese products and the people creating them are underrated. Through interviews and photographs she shows the amount of work and time that the craftsmen put in to the creation of this collection.

XO+



XO+ is a fair trade collection of products made by women in different parts of Nepal.
It's the tendency to produce in a good way in Europe knows often the problem that there we do not know what is possible, how to communicate. And the development country has no idea how to communicate and what is expected by the difficult European clients or how to reach them. What counts for development countries, counts for Nepal. Nepal is a country rich in culture, materials and techniques we can not afford at all in Europe anymore. But the people in Nepal don't see the specialty anymore of those qualities. So we make new designs with the old techniques and habits of the Nepali people and in this way those unique qualities don't get lost. The people will be proud again about there culture and the European people can buy these nice products with a fair feeling.The co-operation of feminine producers in Nepal, has started a new project. A Design products collection. In co-operation with Dutch designers a new collection has been produced with the first 18 companies. All participants of this unique project are part of fare business. Womanpower has a poverty alleviation target reached trough a business, work and production improvement.
TARGET:
A link between both worlds.
A good design, a good product.
A win win result.

Only this way there is a opening to give fair trade design products a change to be competitive at the international market.We know Design & Fair Trade, it's possible!

WEMADE



WEMADE is a project between two Dutch designers and Indonesian craftspeople who were victims of the Bantul earthquake 2006.
Goal: to increase the economic independence of local craftspeople.
Result: series of lifestyle products meant for export.











http://www.rixxt.nl/
http://lidewijenrixtinindonesie.blogspot.com/

Artecnica


Artecnica's mission is to elevate the purpose and value of everyday objects by using design to enchant, inspire and transform through the powerful tools of art and technology. Art represents the most personal expression of our design language, technology our unique application of materials, fabrication methods and techniques.
We started traveling the world, exploring and sharing experiences. Specialized vendors were selected and collaborations with designers, merchants and craftsmen begun. New materials were explored experimentally and spontaneously.
This deeper awareness of our global impact inspired a formalized program for Artecnica we call Design with Conscience. Artisan communities of developing countries handcraft objects designed by internationally recognized designers, often utilizing recycled products, both minimizing environmental impact and stimulating depressed economies.
As we continue explore the world and create new design, we also transform and look forward to the challenges we have set with Design With Conscience and our commitment to enchant, inspire, tranform.
The designer can dovetail the capacities of artisans with the needs of the international marketplace. The project producer provides the logistics, marketing, and art direction necessary to bring the work of the designer and the artisan to the consumer. As project producer, Artecnica partners with such nonprofit organizations as Aid to Artisans and the British Council.
Our challenge is to develop a competitive product that will encourage the survival of indigenous craft. Fulfilling this mission requires a smart designer, a savvy and visionary project producer, and a willing and ambitious artisan. Our objective is to avoid the mechanization of the artisan, which devalues his work and undermines the project from both a design and an economic standpoint.
http://www.artecnicainc.com/Milan2008.pdf

Saturday, 1 March 2008

DESIGN21




DESIGN 21: Social Design Network's mission is to inspire social activism through design. We connect people who want to explore ways design can positively impact our many worlds, and who want to create change here, now.

Monday, 25 February 2008

SOCIAL DESIGN SITE


The SocialDesignSite aims to foster and facilitate a discourse on social design by establishing a unique interactive platform between everyone interested on the topic. We present innovative projects that help develop and sharpen our common understanding of social design in context and practice. We create awareness among the general public that we could do things differently in various part of the world and various areas of life. We achieve this through our website and by the organization of and participation in workshops, exhibitions, conferences, lectures, etc.

Friday, 25 January 2008

DESIGNWORKS




In today’s business world, it’s no longer enough to simply outperform the competition. To thrive in a world of ceaseless and rapid change, business people have to outimagine the competition, by learning how to think – and become – more like designers.

To promote the principles and practice of design thinking, the Rotman School established designworks™, a centre for design-based innovation and education. Part of the Rotman Design Initiative, designworks™ is the result of an innovative collaboration with Stanford University’s Institute of Design, headed by IDEO founder David Kelley, and the Illinois Institute of Technology’s Institute of Design, headed by Patrick Whitney.

The program fuses the strengths of its academic and industrial partners to provide a working model for inspiring innovation across a wide range of design-related disciplines. By providing design coaching, innovation workshops and other customized programs, the centre aims to shape corporate culture and groom a new generation of business designers.

Wednesday, 23 January 2008

DESIGN FOR THE WORLD



Design for the World is an international humanitarian organisation whose objective is to match the skills and commitment of volunteer designers with the needs expressed by disadvantaged populations and the organisations that serve them worldwide. Design for the World unites graphic designers, industrial designers and interior and architectural designers around one common idea: voluntary design for people in need.Design for the World believes that people disadvantaged by poverty, war, disability, age or environmental conditions deserve equal access to practical design solutions that will improve their day-to-day lives. Design for the World seeks to extend the benefits of design to populations without access to adequately designed materials, objects, tools and living environments.

Friday, 11 January 2008

CREAR ARTESANIA



CREAR artesanía, colección de piezas
El proyecto Crear Artesanía, generado en el marco del programa URBAN y cofinanciado por la Comisión Europea, apuesta por conjugar los valores tradicionales de la artesanía con diseños más actuales acordes a las necesidades de nuestra sociedad.
Ya en el año 2005 presentó las primeras piezas elaboradas partiendo de elementos iconográficos propios de Sanfermines y Camino de Santiago, piezas diferentes, en las que la calidad, la creatividad y el diseño convivían con el carácter artesanal de las mismas.
La etnografía ha sido el motivo elegido en esta edición. El trabajo conjunto de investigación entre profesionales del diseño y de la artesanía, ha permitido, partiendo de productos tradicionales, incorporar nueva formas, usos, materiales y funcionalidades que permiten mejorar la competitividad e innovación de los talleres artesanos.
El trabajo desarrollado es un aliciente y un motivo de satisfacción para las personas y entidades involucradas, pero, sobre todo, un reconocimiento a la labor de los artesanos y diseñadores de Pamplona y de Navarra, gracias a los cuales, los valores tradicionales de nuestro pasado permanecen aún hoy vivos entre nosotros.
http://www.crearartesania.com

Friday, 28 December 2007

STRAAT




StraaT means street or pathway in Dutch.
StraaT provides support and connection between the ones who invents, who produces and who sells.
StraaT is design of processes for production within groups of craft and manufacture.
StraaT is production or services for market.

TOUCH





Thursday, 27 December 2007

CENTRO PARA LA CREATIVIDAD E INNOVACION



El Centro para la Creatividad e Innovación, nace como necesidad de otorgar continuidad al Proyecto MECESUP FSM0310, en la forma de un organismo promotor de la innovación en la región, que permita proyectar su acción hacia toda la región, con el fin de captar y promover las capacidades propia de los estudiantes con talentos de inventores, y las oriente en dirección a las necesidades de las industrias de la V Región.
Este Centro esta ubicado en la Sede Viña del Mar de la Universidad Técnica Federico Santa María.

OBJETIVOS
1. Apoyar la formación de alumnos creativos y emprendedores en las carreras de la Sede.
2. Captar estudiantes con características de inventores en la Educación Media de preferencia Técnico Profesional.
3. Fomentar la innovación tanto en el plano interno como externo de la Universidad.
4. Promover entre los estudiantes la creación de empresas tecnológicas.
5. Colaborar con las empresas de las Región coordinando proyectos de cooperación Universidad – Empresa.
6. Facilitar el Laboratorio de Prototipos para efectuar pruebas, mediciones, ensayos, etc. que sean necesarios para alcanzar buenos resultados en los proyectos de cooperación Universidad - Empresa.

Tuesday, 4 December 2007

UNSEEN PRODUCTS


unseen products:a real approach
+ Make innovative of hard to find products accessible at commercially interesting prices
+ Engage European retailers in sustainable trade relationships with small producers developing countries
+ Generate profitable commercial relationship from producers and designers through to retailers and consumers

unseen products:challengesthe market
+ Get responsibly made products from developing countries into mainstream retail markets
+ Contribute to the economic development of small producers in developing countries
+ Inspire retailers and consumers

Association for Craft Producers (ACP)


Association for Craft Producers (ACP) is a not for profit fair trade organization providing professional services in technology, design, marketing, managerial skill for over 1,200 low income, primarily female, craft producers. Since 1984, ACP has successfully balanced its business priorities with a strong sense of social obligation and we are proud to define ACP as a socially orientated, commercially viable enterprise.
ACP is the member of International Fair Trade Association (IFAT), Asia Fair Trade Forum (AFTF), Fair Trade Group Nepal (FTGN), Federation of Handicraft Association (FHAN).

TAVIE




Tavie offers a unique collection of decorative and functional products, originating from Northern Niger. A Tavie product is made with passion and pride, using the age-old traditional technique of palm leaf weaving. Every Tavie product is unique, they are all hand crafted to the highest quality. A purchase of a Tavie product helps create a better economic situation for the proud Touareg Tribes of Northern Niger.

STRAWBERRIES FABRICS


Strawberries International Fabrics presents fabrics from different parts of the world which feature original, traditional designs and embroidery techniques that have been adjusted to contemporary trends in fashion and interior decorating.
The fabrics are made on location from either pure silk or cotton and are being produced under close supervision ensuring that the fabrics are both very exclusive and of the highest quality.
All fabrics are hand made and produced on order. This allows for customised adjustments and changes.
Strawberries International Fabrics adheres to fair trade principles and ensures that all producers are adults, receive fair wages and work under reasonable circumstances

Monday, 3 December 2007

MAASAI WOMEN ART


http://www.maasaiwomenart.net/

WHOMADE



Whomade: the products talkpresentaBastar collection dal 12 dicembre al Circolo Sassetti.Nel crocevia tra diversi linguaggi e tradizioni, nascono le collezioni Whomade: oggetti tra design, artigianato e arte ad elevato valore etico ed estetico. Un brand di prodotti cross-culturali, nato dalle esperienze di Todomundo.org e dall’entusiasmo di tre giovani designer - Edoardo, Dario e Carlotta - per promuovere una nuova cultura della materia e dell’oggetto.I prodotti WHOMADE sono il luogo d’incontro tra culture che dialogano, creano insieme ed evolvono: essi in qualche modo ci parlano, e con il loro sapere rappresentano relazioni sociali, facendosi portavoce di valori, idée ed emozioni. Le prime collezioni WHOMADE di terracotte, ferri battuti e monili in fusione a cera persa sono state concepite e disegnate da designer italiani in collaborazione con le comunità di artigiani di Saathi – tribal crafts, all’interno di un percorso progettuale di riscoperta e ricontestualizzazione dei pattern e degli stilemi tribali della regione del Bastar, nel cuore antichissimo dell’India.


WHOMADE the project
edoardo, dario, carlotta
WHOMADE the products
creolo design, italy & saathi tribal crafts, india
WHOMADE the food
circolo sassetti, milano
WHOMADE the pictures
danieleportanome.com
WHOMADE the PR
rosella graziaplena
WHOMADE the guide
italiastraordinaria.it
WHOMADE it possible
todomundo.org

PRESS INFOdownload the press kit
tel. +39 349 1029526

Sunday, 2 December 2007

Design for the South of the world


SUDesign


E’ possibile finalizzare la creatività di giovani studenti di design per valorizzare le capacità produttive del sud del mondo?
Designing for the south of the world implies a clear consciousness of the problematics and the diversity of contexts in which a lot of populations are found themselves unable to satisfy primary needs such as food and water.The major part of the following project focuses precisely on the different aspects of the problem of water. Changing the target, going from the first to the third world, or from “our”10% to the remaining 90%, implies a radical change of the designing process, a flip, a return to the essentials, to the idea that the form follows the function, a creativity dedicated to simplification.The demands having been changed, the approach to the problems as well as the state of mind in which they were considered changed too. First of all, we paid attention to a distant reality, not immediately understandable, far from preconceptions and from the superficial stereotypes created by the media.To understand that “the poverty has not been created by the poor” as Nobel Prize Muhammad Yunus said, actually implies a deep analysis of the causes, giving up the idea of the irreversibility of the problems, by understanding them and looking for achievable and possible solutions thanks to the designer's own working method, a methodology which is linked to the real feasibility of the developed objects. From this point of view, it will be seen how the projects follow extremely cheap manufacturing logics, some feasibility on the spot, easily transportable, reusable or derived from the re-use, objects that assume double function. The design finally goes back to its original form, and from mannerism it goes back to be and to represent a service.
Mauro Oreste Paialunga

IUAVietnam


IUAV – facoltà di Design e Arti
Milano Fuori Salone 15-24 aprile 2004
alla Bottega della solidarietà
Via Mercato Brera 24
inaugurazione giovedì 15 aprile ore 18

La mostra IUAVietnam presenta una selezione dei lavori realizzati dagli studenti che hanno seguito il Laboratorio di comunicazione dei prodotti del clasDIP ed il corso di Comunicazioni visive del claDIS nell’anno accademico 2003-4.

Accessori per arredo lampade e borse, realizzati in bamboo e altre fibre vegetali, sono i primi prototipi per una nuova linea di prodotti che nel 2005 verranno realizzati in Vietnam dalla Craft Link di Hanoi e distribuiti in Italia dal Consorzio Botteghe della solidarietà.

Saturday, 24 November 2007

Innovation RCA


Innovation RCA is a new network set up by the Royal College of Art to link RCA graduates with business in order to create innovation opportunities.
Innovation RCA has been established with a major award from the UK Government's Higher Education Innovation Fund. It aims to bring greater coordination, clarity and reach to the Royal College of Art's relationship with business, and higher levels of professional support for new RCA graduates and alumni.
Innovation RCA's programmes in Applied Research, Product Development and Creative Business enable the College's graduates and business partners to work together to innovate more effectively.

Design Link


The Design Council runs “Design Link“ in each English region, These are committees of industrial designers who volunteer to be a support group for the Design Counsellors in that region’s Business Links. (Design Counsellors are specialist business advisers - who are meant t0 advise Business Link clients on design-related issues and to raise the importance of design as an integral part of business rather than as an after-thought, bolt-on). The idea is that Design Link members can open doors, suggest suitable contacts, help with further lines of inquiry etc.
http://www.cherry.gatech.edu/sim/refs/britain.pdf

IDBM



The International Design Business Management programme (IDBM) is a joint teaching and research programme of three leading Finnish universities: the Helsinki School of Economics, the University of Art and Design Helsinki and the Helsinki University of Technology. The purpose of the programme is to bring together experts in different fields within the concept of design business management.

The objective of the IDBM programme is to train skilled professionals for key roles in international design business. The programme emphasizes the importance of design as a competitive factor among others, such as technology. Arising from the needs of the industry, this programme gives future marketers, engineering experts and designers an opportunity to practice important interpersonal skills through projects and courses. The programme teaches students to make full use of their own potential as members of interdisciplinary teams.

Friday, 23 November 2007

DesignStart - GLOBAALI

Two SME SUPPORT PROGRAMS IN FINLAND:
The aim of the DesignStart-program is to strengthen the company’s competitiveness
through incorporation of such product characteristics perceived as important by
customers. DesignStart gives the company the possibility to use a professional designer,
either for products or to enhance the company image. The programme includes four
days of consultation over a period of three months.
see: http://217.152.18.69/page.asp?path=1866,1919,4330,7529,7530,11176,11183

DesignStart is an industrial design development programme targeted at both existing and new companies that are about to start their operation. The purpose of the programme is to assist the companies in developing the usability and outward appearance of their products or the graphical business image.Service branch companies can benefit from DesignStart in the development of their graphical business image, for example, in designing their logo and brochures, as well as, in commercialising their services.The programme is implemented as separate case-specific consultations between a DesignStart expert and the business management of a company. The programme is carried through in approximately a three-month period of time. The programmes are ordered from the DesignStart product managers at the TE Centres’ Business Departments.
The costs of DesignStart are:
420 € for companies younger than 3 years.
Additional consultation days (maximum 5 days) 165 € per day.
840 € for companies older than 3 years.
Additional consultation days (maximum 5 days) 300 € per day.

Globaali
Global – development programme for internationalisation (Business Department). The Global programme is tailored for SME’s that are about to start or already expanding their international activities to new market areas. The programme is particularly suitable for the time before applying for the internationalisation support.The target of the programme is to provide a company with a view on the opportunities and risks involved in its internationalisation, as well as, to investigate and evaluate the international operational prerequisites that the company has. The programme directs the companies to well-planned long-term internationalisation.
The cost of the Global programme is 630 € (with 2.5 consultation days).
Additional consultation (1-5 days) is available for 300 € per day.

Putting SMEs first



_SMEs – the lifeblood of Europe’s economy
_Think small first
_Facts & Figures
_Improving access to finance
_Facing environmental challenges together
_Ensuring fair competition
_Education and skills for entrepreneurship
_Helping SMEs go international
_Boosting research and innovation
_Protecting your ideas
_Micro- and craft enterprises in the EU
_Support for SMEs at regional level

EU policies and activities for Small and Medium-sized Enterprises


In the framework of the European Charter for Small Enterprises implementation process the Commission issued on 8 February 2005 several documents giving an overview of the most recent policies and initiatives in favour of small and medium-sized enterprises (SMEs) across Europe. Among these documents, the SME Envoy Report outlines European Union policies and activities in favour of SMEs.
Prepared under the coordination of the SME Envoy, the Report offers an overall presentation of the measures taken by the Commission for SMEs. It provides a review of policies, initiatives and programmes having an impact on SMEs covering not only the ten areas of the Charter for Small Enterprises but also other European Union policy areas relevant to SMEs.

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